IAAC 7 | 了解一下这届评委的TASTE？
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在经历了上一周紧张而激烈的评选后，第七届国际艺术评论获奖与入围者名单终于也得以揭晓啦！面对如此多精彩的稿件，评委们是如何甄选出最终的四篇获奖文章呢？一起来看看评委们怎么说吧？
理查德·戴尔
Richard Dyer
国际学术期刊 《Third Text》主编
Editor-in-Chief of Third Text
点评文章：《Aftermath: Lessons in Futurity from Lawrence Abu Hamdan》
作者：Eugene Yiu Nam Cheung 一等奖获得者
所评展览：Lawrence Abu Hamdan on YouTube
丁宁
Ding Ning
北京大学艺术学院美术学系教授
Professor of Art History and Theory at the School of Arts, Peking University.
点评文章：《The Rock》
作者：Peter S Brock 二等奖获得者
所评展览：The Rock
本届评委、北京大学艺术学院美术学系教授丁宁对二等奖获奖文章《The Rock》点评：
“或许是因为作者本人也是艺术家出身，他特别能感同身受地阐释《石头》这一非同一般的临时性项目的朴素、卑微和哀伤，同时，也由衷地激赏由于其集体干预性的参与而时时透发出来的人性的闪光与希望。这样的读解令人感动，也引人深思。”
姚嘉善
Pauline J. Yao
现任香港M+视觉文化博物馆视觉艺术主策展人
Lead Curator, Visual Art, at M+
点评文章：《连空气都是甜的》
作者：王凯梅 二等奖获得者
所评展览：绝地通天
With its clear structure, demonstrated knowledge of the field, and cogent prose, Even the Air Smells Sweet, a review of the contemporary art exhibition “Forget the Horizon” at K11 Shanghai, was a standout submission. It offered an unusual entry point through the sense of smell and fragrance—a clever way of situating the reader within the venue while also allowing for broader connections to be made to the context in which the exhibition took place, namely amidst a world pandemic. Adept at moving between detailed explanation of the individual artists and artworks and the surrounding context, the text presented a smart and fresh reflection on global culture, the commercialization of art, and human desire.
莉斯贝思· 雷波洛·贡萨尔维斯
Lisbeth Rebollo Gonçalves
现任巴黎国际艺术评论家协会主席
International President of the AICA, Paris
点评文章：《居间者的迫近》
作者：张浩 二等奖获得者
所评展览：格哈德·里希特：终究是绘画
IAAC 7
IAAC 7 获奖者介绍
Eugene Yiu Nam Cheung 一等奖获得者
获奖文章：Aftermath: Lessons in Futurity from Lawrence Abu Hamdan
所评展览：Lawrence Abu Hamdan on YouTube
艺术评论家、作家，获悉尼大学艺术史、性别研究与法律学位。其作品发表于《Art+Australia》、《Griffith Review》、《The Saturday Paper》、《4A Papers》、《Running Dog》和《PW-MagAZINE》等学术期刊，并于近期完成了在悉尼4A亚洲当代艺术中心和柏林KuLe艺术中心的驻留项目。Eugene是2020年伦敦大学伯克贝克分校Sarah Keenan博士举办的 "土地登记的关键视角 "研讨会的受邀学者。Eugene获得澳大利亚艺术委员会在2021-2022年期间的资助，创建了网络浏览器扩展和出版平台DECOLONIAL HACKER，致力于推动机构批判的创新和公众参与。目前是柏林Julia Stoschek收藏馆的策展助理与上海-柏林艺术和文化杂志《CODE》的执行编辑。
Eugene Yiu Nam Cheung is a writer based in Berlin, and founding editor of institutional critique platform Decolonial Hacker. He studied art history, gender studies and law at the University of Sydney, and is currently the curatorial assistant at the Julia Stoschek Collection.
Peter S Brock 二等奖获得者
获奖文章：The Rock
所评展览：The Rock
生活和工作于纽约布鲁克林的视觉艺术家、作家，获巴德学院绘画硕士学位，并曾于德国法兰克福的Staedelschule做客座学员。其作品关注于构建我们表述自然的那些希望与欲望，包括绘画、雕塑、录像和装置。最近参与的展览包括Rerun, Root Canal, Amsterdam; The Quadrangular Sky, Fastnet, Brooklyn; The Dying Sun, Calle Cedro 327, Mexico City; More Science Less Fear, 83 Pitt Street, New York; 和Neueroffnung, Federico Vavassori, Milan。其艺术评论已发表于《Texte Zur Kunst》、《The Brooklyn Rail》及《Frieze》。
"Peter Brock is a visual artist and writer based in Brooklyn, NY. His work addresses the hopes and desires that structure our representations of nature. He works in painting, sculpture, video and installation. Recent exhibitions include Rerun, Root Canal, Amsterdam; The Quadrangular Sky, Fastnet, Brooklyn; The Dying Sun, Calle Cedro 327, Mexico City; More Science Less Fear, 83 Pitt Street, New York; and Neueroffnung, Federico Vavassori, Milan. His art criticism has been published in Texte Zur Kunst, The Brooklyn Rail and Frieze. Brock earned an MFA from Bard College in painting and was a guest student at the Staedelschule in Frankfurt, Germany.
王凯梅 二等奖获得者
获奖文章：《连空气闻起来都是甜的》
所评展览：绝地通天(Forget The Horizon)
王凯梅，独立策展人，艺术写作者，译者。毕业于北京师范大学英语文学系，就读于斯德哥尔摩大学文学院，拥有苏富比艺术学院当代艺术硕士学位。长期从事艺术、电影策划和写作工作，为国内外艺术媒体机构撰写多种艺术主题的文章，研究兴趣围绕电影历史和影像艺术家，及具有个人风格的视觉艺术家与艺术史的关系。
2017年为瑞典艺术家在上海民生现代美术馆策划展览，2018年为视觉艺术家陈漫在瑞典摄影美术馆策划个展，电影大师伯格曼在华的影像展。她是2020年英文专著《当代画家丁乙》的合作作者，即将出版从瑞典文翻译中文的译作《伯格曼文集》。
Kaimei Wang is an independent curator, art writer and translator based in Shanghai. She graduated from Beijing Normal University, Stockholm University and holds a master degree on study of contemporary art at the Sotheby’s Institute of Art. She writes frequently diverse art-related issues for various media both in China and overseas. She is the co-writer of a book on contemporary painter Ding Yi published by Lund Humphries in London on March, 2020. Her research of interest covers film, photography and painters in relation to art history .
She has curated Swedish artists exhibition “The Weather War” in Shanghai Minsheng Art Museum; Chinese photographer Chen Man’s exhibition “Fearless&Fabulous”in Fotografiska Museum in Stockholm and Ingmar Bergman photography exhibition in Shanghai . Her translation work “Ingmar Bergman Essay Collection”from Swedish to Chinese will be published in 2021.
张浩 二等奖获得者
获奖文章：《居间者的迫近》
所评展览：“格哈德·里希特：终究是绘画”
（Gerhard Richter: Painting After All）
本科毕业于北京大学生物科学专业。于2013年转换跑道，开始在同济大学人文学院硕博连读，现为艺术哲学专业博士候选人。主要兴趣涵盖艺术哲学、欧美现当代艺术理论和实践，兼事相关艺术文本的翻译。先后于2015年和2017年赴柏林洪堡大学英美研究所和台湾师范大学艺术史研究所访学，合计一年。2017年9月至2019年9月，入选公派博士生联合培养项目，在柏林洪堡大学艺术与图像史学院研修。喜欢作为“普通观众”，探索可能方式，不断重返艺术现场，而艺术作品往往比其制作者的言说更能提供有效信息。
I graduated with B.S. in Biology from Peking University. In 2013, my track was changed and I started the successive postgraduate and doctoral programs of study at the School of Humanities, Tongji University, and currently I am a doctoral candidate majoring in Philosophy of Art. My main interests contain philosophy of art, theories and practices of modern and contemporary art in Europe and the United States, as well as translation of relevant art texts. In 2015 and 2017, as a visiting student, I successively studied in the Department of English and American Studies at Humboldt-Universität zu Berlin and the Graduate Institute of Art History at National Taiwan Normal University for a total of one year. From September 2017 to September 2019, I was selected into the joint training program of government-sponsored doctoral students and studied in the Department of Art and Visual History at Humboldt-Universität zu Berlin. I like to be a “common viewer” and explore possible ways to keep returning to the art scene, and the work of art often provide more effective information than the words of its producer.
IAAC 7
IAAC 7 中文入围名单
（按姓名首字母排序）
范蕊
入围文章：《未来建设者：技术，算法，超越物质性》
所评展览：非物质 / 再物质：计算机艺术简史
顾虔凡
入围文章：《库哈斯的乡村问题重重》
所评展览：乡村，即未来(Countryside, The Future)
洪颖
入围文章：《山间的沼泽 ——从策兰与海德格尔的会面看<全白的等候－林寿宇>》
所评展览：全白的等候－林寿宇
姜伊威
入围文章：《后窗中的家史、资本和艺术》
所评展览：李青“后窗”
刘畑
入围文章：《紧急中的沉思，或一个“奥斯维辛坐标”——兼论艺术与批评何为》
所评展览：紧急中的沉思(Meditations in an Emergency)
宋淇森
入围文章：《渲染乡村：又一个戏法？》
所评展览：乡村，即未来(Countryside, The Future)
杨儒
入围文章: 《重思边界 ——评“水限_陆界：边境与游戏”Francis Alÿs个人展览》
所评展览：水限_陆界：边境与游戏
张亚璇
入围文章：《沿着隔离提供的通路》
所评展览：布鲁塞尔艺术节（Kunstenfestivaldesarts）
IAAC 7
IAAC 7 英文入围名单
（按姓名首字母排序）
Adeline Chia
入围文章：Forked Tongue
所评展览：Primeval Codes
Adrian Gouet Hiriart
入围文章：Oblivions are just things to overcome, after all
所评展览：Gran Sur: Contemporary Art from Chile in the Engel Collection
Ben Eastham
入围文章：The Seventh Continent
所评展览：16th Istanbul Biennial
James Tabbush
入围文章：We Want to Believe
所评展览：The Botanical Mind
Kamayani Sharma
入围文章：Blood and Paper: Zarina and the Currencies of Violence in India
所评展览：Zarina - A Life in Nine Lines
Patrick J. Reed
入围文章：Aw, Phooey! Il Ghirigoro at Pio Pico, Los Angeles
所评展览：Il Ghirigoro
Sophie Haigney
入围文章：This is not an apple,’ or is it? : On Trevor Paglen’s “From ‘Apple’ to Anomaly’"
所评展览：“From ‘Apple’ to Anomaly’"
Tallulah Griffith
入围文章：Breathing Life into: Plants, Archives, and People in Responsive Space
所评展览：Responsive Space
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